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Advertising video catalog

MediaAD public collection of advertising videos. Watch the creative and read a concise description of its available context.

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De’Longhi: “Hot or Cold, Always Perfetto”

De’Longhi 107 sec

De’Longhi: “Hot or Cold, Always Perfetto”

Brad Pitt looks for a little peace in a house shared with 16 dogs, each with a firm view on morning coffee. Morning with 16 roommates Pitt wakes in a home where the dogs behave like demanding roommates. Their barks arrive as subtitles, commenting on his lateness, dirty dishes and appearance. His attempt to make coffee becomes a chain of interruptions, while the argument over hot or cold turns an ordinary morning into an absurd negotiation. He finally steps outside, where he briefly finds the private “Perfetto” moment he has been seeking. Deadpan domestic chaos Spike Jonze finds the comedy in the contrast between Pitt’s composure and the house’s unruly canine energy. The dogs never speak aloud; subtitles give each one a distinct attitude and turn everyday roommate friction into farce.

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Gucci Primavera: And We Shall Dance Again

GUCCI 270 sec

Gucci Primavera: And We Shall Dance Again

In Gucci’s new film, a room full of strangers gradually comes alive through love, music and a collection that opens Demna’s first chapter at the house. A room waking up Kate Moss lip-syncs to Chris Isaak’s “Wicked Game” among people who seem suspended in time. At first, each person remains isolated in the room, but the song slowly breaks through that stillness: glances meet, bodies shift and strangers begin to notice one another. As the music unfolds, the group comes alive, and the dance floor becomes the setting for a shared transformation and the first signs of intimacy. Romance in motion Directed by Johan Renck, the film creates a romantic, emotionally heightened atmosphere in which stillness gives way to gesture and connection.

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Toyota asks drivers to Hilux responsibly

Toyota 63 secUnited Kingdom

Toyota asks drivers to Hilux responsibly

What happens when a vehicle seems capable of almost anything? In “Please Hilux Responsibly”, Toyota turns that question into a cinematic, deadpan and knowingly exaggerated campaign. Confidence at the edge The films follow Hilux drivers whose faith in the vehicle is so complete that impossible situations become part of an ordinary day. Reported scenarios include a picnic beside a snowy mountain drop, driving through crocodile-infested water and turning the load bed into a hot tub. Volcanoes, cliffs and tornadoes expand the visual scale. Each precarious setup is both absurd overstatement and a playful proof of the pickup’s capability. A warning, not a boast Instead of another conventional display of toughness, Toyota adopts the language of a public-service announcement.

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Gracie Abrams Lights Up a Parisian Café

Chanel 147 secFrance

Gracie Abrams Lights Up a Parisian Café

In CHANEL’s new film for COCO MADEMOISELLE CRUSH ABSOLU, Gracie Abrams trades a carefully constructed image for the freedom of an unpredictable night in Paris. From artifice to rain The story opens in a glamorous preparation setting, where an exaggerated wig and dramatic eyeliner create a tightly controlled persona. Abrams rejects the look, removes the wig and makeup, sprays the fragrance and steps into rainy Paris. Evading paparazzi and a chauffeur, she runs through the night, leaving the expected script of a polished social appearance behind. The café becomes a dance floor Her escape leads to Café Mademoiselle, an Art Deco-style café built specifically for the film. A white beaded slip dress signals the change of mood, while pinball and the bar become stages for uninhibited movement.

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Once a Princess, Always a Princess

Disney 237 secUnited States

Once a Princess, Always a Princess

Disney turns childhood play, friendship and memory into a warm fantasy about a bond that grows rather than fades with time. A world made of imagination Two girls living opposite one another become instant friends through their shared love of Disney Princess stories. In their games, ordinary surroundings open into extraordinary adventures: they fly on a magic carpet, become mermaids at a leisure centre and face a “wicked witch” played by an older sister. When one girl moves away, the friendship does not disappear. It follows them into adulthood, where the two friends meet again with daughters of their own. A tactile kind of magic The film takes a deliberately old-school Disney-cinema approach to fantasy.

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When Football Makes Everything Else Wait

Canal+ 60 sec

When Football Makes Everything Else Wait

“Everything Can Wait” turns the sleepless nights of the 2026 FIFA World Cup into a warm, humorous portrait of collective football devotion. A mysterious epidemic The film opens like a report on an unexplained outbreak of sleepiness. In streets, offices and markets, people are found asleep in the middle of ordinary life. The images gradually suggest that an entire continent has been overtaken by an unusual kind of fatigue. The reveal The cause is not illness but loyalty. Because North American time zones place many matches overnight for African audiences, supporters willingly trade sleep for football. The humour comes from the clash between suspended routines and the absolute importance of catching the next match.

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CHANEL — The Chase

Chanel 137 sec

CHANEL — The Chase

In “The Chase,” CHANEL turns fragrance into an object of desire, placing it at the centre of a fast, seductive story shaped by tension and cinematic momentum. A chase for desire A man and a woman pursue the same coveted object: a bottle of BLEU DE CHANEL L’EXCLUSIF. Their two-hander gives the film its charge, bringing attraction and competition together in a stylised, high-speed adventure. Jacob Elordi and Libby Taverner play the two players in a narrative where the fragrance becomes the prize at the end of a sensuous pursuit. Luxury in motion Rather than presenting a conventional static fragrance portrait, CHANEL builds a compact action film around movement and suspense. Seduction is not explained; it is staged through rhythm, pursuit and the physical presence of the characters.

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Apple’s “Clingers”: when online tracking will not let go

Apple 61 sec

Apple’s “Clingers”: when online tracking will not let go

In Apple’s new film for Safari, invisible web tracking becomes a physical, surreal nuisance. Chrome-clad figures make the feeling of being followed online impossible to ignore. Tracking made tangible As people browse, eerie figures in metallic suits attach themselves to them and follow them through everyday situations. Their presence grows increasingly absurd and uncomfortable, like the ads and sites that seem to remember every move. When Safari steps in, the clingers disappear, turning a familiar digital irritation into a clear moment of release. A polished unease Director Ivan Zachariáš approaches the idea with deadpan humour and a surreal visual language.

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Volvo’s “Parents”: the champions beyond the pitch

Volvo 97 sec

Volvo’s “Parents”: the champions beyond the pitch

In Volvo Cars Sweden’s new film, children’s football is powered by a quiet but essential team: their parents. Zlatan Ibrahimović appears alongside his son Vincent in a warm portrait of everyday care. Before the whistle The story follows the familiar routine around training and match days: early starts, finding shirts, filling bottles, packing kit and driving from one commitment to the next. Then come the waiting, the rain and the encouragement from the sideline. Instead of placing goals and trophies at the centre, the film focuses on the unseen work that gives a child’s dream room to grow. A different kind of victory Director Gustav Johansson borrows the heightened visual language of sports advertising and applies it to youth football.

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Honda — “Your Dreams Engineered”

Honda 60 sec

Honda — “Your Dreams Engineered”

In Honda’s new film, human dreams become tangible: a shifting white substance that passes through an inventive engineering process before resolving into contemporary Honda cars. Dreams take shape The film opens in an abstract world where dreams appear as tactile, malleable white matter. Inside a playfully imagined Honda engineering environment, the material is prodded, pulled and tested as if it were a living prototype. Its gradual transformation leads to present-day Honda cars, while the ending connects a technical process with the aspirations of the people it is meant to serve. Engineering with empathy The creative language treats engineering not as a cold display of mechanics, but as an attentive, almost empathetic act.

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When a late-night delivery leads into the woods

DoorDash 76 sec

When a late-night delivery leads into the woods

In “The Hills Have Udders,” a DoorDash delivery after dark takes on the shape of a creature feature. The threat glowing between the trees, however, turns out to be far gentler than the atmosphere suggests. An isolated house, an unsettling gaze A Dasher arrives at a remote property in the woods. Darkness, silence and a pair of glowing eyes gradually create the feeling that something is watching him. The film holds that suspense before revealing the source of the eerie presence. Horror without the wink Hard Work Club borrows the language of monster movies—rural isolation, an unseen threat and mounting nighttime tension—without turning the setup into broad parody. The reveal is eerie but harmless: a herd of cows is watching the Dasher, who calmly completes the delivery.

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Prada Paradoxe: Never the Same, Always Myself featuring Zendaya

PRADA 115 sec

Prada Paradoxe: Never the Same, Always Myself featuring Zendaya

In an intimate, sensorial film, Zendaya explores identity as something continually evolving, introducing a new Prada Beauty chapter for Paradoxe Sweet Chemistry. Identity in motion Zendaya moves through urban spaces and changing settings in Mexico, shifting between contrasting personas and states of mind. Black-and-white portrait interludes interrupt the flow, bringing the viewer close to her face. Her spoken reflection treats identity not as a fixed profile, but as a person in transformation who remains connected to an inner core. Strength beside vulnerability The film adopts a cinematic, intimate and sensorial language with the feel of an auteur film.

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Google Pixel turns notifications into a noisy crowd

Google 61 sec

Google Pixel turns notifications into a noisy crowd

In “Uninterrupted,” a quiet conversation becomes the center of a comic fight for attention, while Google Pixel 11 Pro filters urgency from the digital din. A conversation under siege Two women talk in a café as a face-down Pixel rests on the table between them. Outside the window, notifications take human form: a growing crowd calls out about photo likes, friend requests, donation appeals and other alerts. The calm intimacy of the conversation is set against the constant pressure of the digital world. When noise enters the frame The film turns invisible phone interruptions into a physical, absurd and comic spectacle. Stephen Curry appears as a sports update, dribbling toward the window and announcing that a game is going into overtime.

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More Than Fabric: The Story a Simple Gesture Starts

Buck Mason 123 sec

More Than Fabric: The Story a Simple Gesture Starts

In a chilly car park, a man offers his jacket to a woman he does not know. That small act opens a warm, wistful romance that exists first in his imagination before the film returns to the possibility of real life. Two versions of a meeting The gesture launches a sequence of romantic moments unfolding across the following season. The jacket returns in each vignette, quietly linking the imagined relationship to the ordinary encounter that inspired it. For much of the film, what looks like a developing romance is actually a story the man is composing in his mind, expanding one brief exchange into an entire shared history. A garment’s point of view The visual concept brings viewers close to the characters through the garment itself.

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The new Mac mini with M6: small, mighty, handmade

Apple 36 sec

The new Mac mini with M6: small, mighty, handmade

Apple turns the performance of a compact computer into a tactile comedy of clay, motion and oversized ambition. “The new Mac mini with M6” makes technical claims easy to picture—and hard to forget. A character takes shape The Mac mini starts as a small square computer, then gradually develops an unexpectedly powerful physique. In a series of stop-motion gags, it becomes a muscular bodybuilder, a race car spinning a doughnut and a rocket blasting upward. A keyboard, camera, whiteboard and exposed clay brain populate the miniature world around it. Power made physical Rather than explain performance through abstract graphics, the film gives it a body.

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